PRESS

Read acclaim for Mr. Eaton’s recent performances.


Powerfully voiced baritone Charles H. Eaton counters with a disarmingly believable take on Sam...it’s another outstanding performance from the astonishingly chameleonic Eaton. You’d never recognize him as having been the devilish Freddie Mercury-channeling villain in last season’s production of Handel’s “Rinaldo.”
— Ron Hubbard, Star Tribune

Zerlina and her husband Masetto (Charles H. Eaton) [were] a perfectly matched couple, vocally, physically, comedically. These two are a joy to watch.
— Life in Revue, Minneapolis

Keely Futterer was a powerhouse in the role of the evil Armida, as was her counterpart, Charles H. Eaton as Argante...
— Michael Anthony, Opera News

Charles H. Eaton brings a beautiful, deep voice to his performance as Sam, the male lead in Trouble in Tahiti. Eaton sings with great authority, most notably when describing himself as a man born to be a winner, a powerful segment of Bernstein’s score. Eaton shows Sam gloating and overly impressed with himself at the office and the gym, but at a loss for how to conduct himself in his marriage.
— Arthur Domand, Talkin' Broadway

Providing the heartbreak and bravado, Charles H. Eaton (Sam) and Zoie Reams (Dinah) transcend the material, taking it to new heights. They hold such control over their vocals and emotions that it is impossible not to be completely swept away by their talent.
— Joe Sarafolean, Broadway World
Baritone Charles Eaton sounded terrific as Carl-Magnus and delivered the pompous dragoon’s stuffed shirt comedy without going entirely over the top.
— Mark Thomas Ketterson, Opera News

Charles Eaton, who as the Count looks like a prince in “Into the Woods,” turns crisply on his heels and delivers a vocal performance to shake the balcony.
— Lindsay Christians, The Cap Times

As Vitellius, Charles Eaton displayed a solid baritone. The sound had a rougher edge that emphasized his role as a Roman leader. He struck an imposing figure onstage that was matched by his sturdy singing.
— David Salazar, Opera Wire
Like any ruler, he has his hands full trying to deal with Roman occupation and a people who seem to want freedom from Roman rule but are easily “bought” by promises from Vitellius, the Roman consul—a role excellently sung by young baritone Charles Eaton.
— Meche Kroop, Voce di Meche

Charles Eaton had several shining moments as Julie’s husband [Steve Baker].
— James Sohre, Opera Today